Category: Reviews

  • Movie Review: Total Recall (2012)

    Movie Review: Total Recall (2012)

    The problem with Len Wiseman‘s remake of Total Recall is a lack of imagination. Yes, that’s a problem most remakes suffer from, but this version of Total Recall actually doesn’t clash much with the Paul Verhoeven-helmed, Arnold Schwarzenegger-starring film of the past. The names and plot remain more or less the same, as does the mysterious memory-implanting company ReKall, but where Verhoeven built an entire planet—populating it with mutants and promising that, yes, there is life on Mars—Wiseman shrinks his worldview considerably, ousting Mars entirely to focus on a poisoned-earth narrative where the rich get richer while the poor build the engines of their own destruction. While the living space issue and the rich/poor divide suggest a film mindful of current events (Verhoeven, by contrast, seemed more concerned with having a good time), Wiseman’s fictionalized current events are window dressing to a plot that sees a stock Chosen One fight to dismantle an army of killer robots. There’s a long, distinguished line of movies like that, and Total Recall just doesn’t stack up. (more…)

  • Movie Review: The Campaign (2012)

    Movie Review: The Campaign (2012)

    The Campaign is so obvious in its intent that, within the movie’s brief runtime, two characters are able to lament that “Big Money” controls the government. It concerns a pair of Congressional candidates from North Carolina—both of whom are almost criminally unfit for office—one of which is funded by the shadowy, money hungry Motch Brothers (John Lithgow and Dan Aykroyd), who hope to use their seat in congress to get the ball rolling on something they call “insourcing,” the importing of Chinese labor and regulations to American factories, to double their already stupendous profits.

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  • TV Review: WWE Monday Night Raw (7/24/12)

    TV Review: WWE Monday Night Raw (7/24/12)

    At times, last night’s episode of WWE Raw felt like it was being piped in from several alternate universes, which, I suspect, is just the nature of the “family reunion” style of show the company is fond of putting on when it meets and eclipses certain milestones. If, like me, you have an oddly (sadly) precise memory for the goings-on of World Wrestling Entertainment, things like the Degeneration X reunion—which saw Triple H and Shawn Michaels join forces with X-Pac and the New Age Outlaws for fifteen minutes of passable, PG jokes about how old the quintet has become—are head-scratching affairs due to giant, gaping holes in continuity. Yes, the Triple H/Shawn Michaels configuration of the group wore the same t-shirts as the Triple H/X-Pac/New Age Outlaws iteration, but Michaels had considerable beef with those dudes once he was ousted from the group, and said beef was never satisfactorily resolved. (more…)

  • Movie Review: The Dark Knight Rises (2012)

    Movie Review: The Dark Knight Rises (2012)

    The word “ambitious” has been used to describe Christopher Nolan‘s The Dark Knight Rises, almost as an apologia. In a summer containing superhero epics that’ve conquered the globe through a combination of charm, polish, and weightless fun, a glum, glowing Batman film can’t help but feel like a party-crasher, a mirthless rebuttal to the joyful hedonism proffered by Marvel Studios. It just so happens that Nolan’s third and final Batman film is ambitious. Functioning as a third act, it introduces a slew of new characters, expounds upon ideas Nolan subtly presented behind the smokescreen of Heath Ledger‘s mesmerizing performance as The Joker in The Dark Knight, and brings his massive, decade-spanning and character-defining story to a close while leaving the door slightly ajar, suggesting both a Gotham without Batman, and a Gotham that can’t survive without one. It’s an audacious juggling act that’d succeed on the merit of sheer scale were it not for the fact that The Dark Knight Rises is just as successful as its predecessors in painting an only slightly-warped representation of our society, gently nudged to its extremes. If The Avengers and The Amazing Spider-Man were long on great power, trading in narrative subtly for titanic struggles between Good and Evil, The Dark Knight Rises is a sobering reminder that any struggle, no matter how titanic, is a grey affair, that the people who fight with the greatest power also have the greatest responsibilities and, ultimately, should make the greatest sacrifices. Its ambition is to hold its characters up to the audience as a mirror. (more…)

  • Movie Review: The Amazing Spider-Man (2012)

    Movie Review: The Amazing Spider-Man (2012)

    In many ways, The Amazing Spider-Man is a response to Christopher Nolan‘s soon-to-be-concluding trilogy of Batman movies. It darkens the familiar, well-worn origins of Peter Parker (tough, considering that his origins involve the murder of his uncle), tones down on the camp that came to overwhelm Sam Raimi’s version of the character (much like Nolan’s trilogy rescued Batman from the quagmire of Joel Schumacher’s worst, campiest decisions), and manages, somehow, to be altogether from its billion-grossing predecessor. Despite the fact that Peter Parker’s in high school, The Amazing Spider-Man sees the character grow up considerably, becoming something more than a dopey whiz-kid in a mask. (more…)

  • Movie Review: The Raven (2012)

    Movie Review: The Raven (2012)

    The Raven begins by purporting itself as the untold tale of Edgar Allan Poe’s fate. In doing so, it gets everything wrong. Everything. Poe’s death being the subject of American legend, mysterious as anything the man ever wrote, would seem particularly inviting to a bit of speculative fiction, and the theories of people much smarter than those responsible for The Raven range from murder to disease, with all manner of exotic, period-specific possibilities considered. Here, Edgar Allan Poe is the victim of a madman’s obsession, a person whose devious machinations draw Poe into an investigation of a series of grisly murders. If he does not solve the crime, the killer promises, Poe’s beloved will die. (more…)